Town of Herndon circle at Dranesville and Park

The Town of Herndon is proposing construction of a circle (roundabout, whatever) at Dranesville Rd. and Park Ave. This is being proposed as a traffic calming measure and seems to me to be unnecessary.

I’ve been traveling this intersection (as either a driver or a passenger) nearly as long as I’ve been alive. Cramming a 90′ circle in this space is a terrible idea for any number of reasons.

Traffic actually moves through this intersection. There’s a church and elementary mere yards to the south, both of which will generate significant queuing of traffic if a circle is put in place. A mile north is Herndon High, which will cram traffic into the circle from the opposite direction.

At present, two out of three directions can continue to move at all times, and traffic approaching from the south (the approach with minimal sustained volume) must stop briefly. It works. With a circle in place, all three directions must slow to a yielding speed most of the time.

There have been relatively few accidents at this intersection, one of which was fatal. As the article points out, most of them were due to driver negligence, not the inability of motorists to navigate what is otherwise a textbook example of a forgiving intersection. The speed limit is twenty-five miles per hour.

The proposal is ugly and industrial. This is one of the nicer and more spacious areas in the Town of Herndon, and a circle is a near-nuclear approach to calming traffic. Speed humps, speed tables raised roadways and even simple signage may be equally effective calming measures and are much less invasive.

There’s also the option of revisiting the numbers. For instance, the total number of accidents, and the total as a percentage of average daily flow. The former statistic is in dispute–the numbers cited by some council members far exceed those reflected in the police records. For all of the infighting with respect to the solution, it might be the case that the scope of the problem doesn’t actually warrant any action at all.

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Photos from the 2011 Mid-Atlantic Fireworks Festival

We attended the 2011 Mid-Atlantic Fireworks Festival (MAFF) in Hughesville, MD on 5 Nov 2011. The MAFF is a club-oriented event. Some of the pyrotechnic artists are amatuers, and some are professionals, though this is not a professional display. The entire event was outstanding.

This was my first go at photographing fireworks, and it was more difficult than I had expected. I had a particularly hard time getting clean, clutter-free captures at the venue–the viewing area was restricted for safety reasons and there were a number of utility poles and lines obstructing my view of the firing field. A wider lens would have caught a lot of ground and utility clutter. Shooting tighter made for good detail but also made it difficult to track the unpredictable/burst patterns.

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Joao Silva

I’ve written about Joao Silva before. He is a remarkable photographer and one of the most respected photojournalists in the world.

In October 2010, Silva lost both legs and suffered myriad injuries after stepping on a land mine while embedded with the U.S. military at a checkpoint in Deh-e Kuchay, Afghanistan. He was working as a contract [1] photographer for the New York Times.

The initial announcement by Times staff photographers Michael Kamber and David Dunlap provides an overview of the incident, as well as some initial updates regarding Silva’s whereabouts and treatment.

The photos that he took before and after the explosion are available on the Lens blog as well.

The New York Times–under no obligation to do so–is covering the costs of Silva’s care and assisting his family while he recovers.

To cover any additional expenses, Greg and Leonie Marinovich have established a support site at Photoshelter. Donations are being accepted, and a number of Silva’s editorial and vintage prints are for sale.

[1] As opposed to a staff photographer, who would be employed by the Times.  Contract photographers are paid for their work but are otherwise unaffiliated with the organizations to which they are reporting.

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Extracting specific music files from an iPod

Have an iPod? Buy a bunch of music just before your beloved MacBook Pro wet the bed? Want a handful of songs off of the iPod, but don’t want to go through the painful and time-consuming process of importing the entire contents of your iPod into iTunes?

On your beloved Mac:

  1. Open iTunes.
  2. From the menu bar, go to iTunes -> Preferences -> Devices.
  3. Check the box next to “Prevent iPods, iPhones and iPads from syncing automatically.” Click OK.
  4. Plug in the iPod.  If it doesn’t appear as a disk in the Finder, select the device within iTunes and on the Summary screen select “Enable Disk Use.”  Eject the iPod and plug it in again.
  5. If you haven’t already, install MacPorts.
  6. Open Terminal
  7. Update MacPorts: sudo port -d selfupdate
  8. Install the id3v2 utility: sudo port install id3v2
  9. Move into the directory on the iPod that contains your music: cd /Volumes/Your Mom’s iPod/iPod_Control/Music
  10. Read ID3 tags from all MP3 files on the device and output the data to a text file in your home directory: for i in `find . -type f | grep mp3`; do id3v2 -l $i >> ~/ipod_tags.txt; done
  11. Open the ipod_tags.txt file using TextEdit and find the files that interest you and copy them off.  Example: cp ./F00/KIJN.mp3 ~/Recovered/ (assumes that you’ve created the Recovered directory in your home directory).
  12. Import the files into iTunes as you would any other music file.

IMPORTANT: If you purchase your music from Apple/iTunes this won’t work. There may be a tool that extracts metadata from M4A files, but I don’t need one and therefore haven’t looked for one. Consider this a learning opportunity and start purchasing DRM-free music in an open format from the Amazon MP3 store.

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